The Groove of Hugh Masekela

Before Hugh Masekela fell into the abyss of smooth-world-reverb, he was a badass funk who got his inspiration from a reservoir of musicians and rockers.  Take Fela Kuti's horns, Berry Gordie's pop sense, Herbie Hancock's top 40 jazz appeal, Os Mutantes' psychedelic guitar twang, and Bob Dylan's social sensitivity, and you finely shape yourself the funky sound of Masekela's 60's catalog.

One album I'd recommend in particular is 1967's Hugh Masekela's Latest.  I found this record accidentally; I wasn't looking for it, nor had I known about it prior.  I remember thinking the title sounded rushed at best, like an afterthought to throw on a world compilation for the record company.  But after listening, I realized that at the time, it was probably the best title available for Hugh.  Not only was it curt and simple, but you understand where he's coming from, musically.  On the album, he covers The Beach Boys, The Beatles, Janis Ian, and all the while using his own voice.  So yes, it was his latest release, but it was also his latest inspiration. 

Check out tha fresh sounds of Hugh Masekela's Latest.

• Society's Child (Baby I've Been Thinking)(mp3) (Janis Ian Cover)
• Groove Me (mp3)

Mew Nusic from Thao

Thao with the Get Down Stay Down is my new favorite band.  Thao Nguyen's voice is smokey, her wit is dry, it's inevitable that she's going to be the new indie girl.  She's also the most attractive thing to come out of Virginia this side of Pocahontas.  She hates comparisons, so I won't make any.  I'll just say she's writing the songs that the 90s never saw, but always craved.  It's not too little / too late.  

She just popped out her second full length album, We Brave Bee Stings And All, which manages to be professional without being uptight, and simple without being juvenile.  Her themes of projection and reflection have grown considerably since her first album, Like the Linen; she has matured and has finally learned to take responsibility, rather than blaming others for her missteps.  According to her, the album is also heavily influenced by a former chicken/friend that was eaten by a raccoon when she was only the tender age of 5, and how that has denied her from trusting anyone ever since then.  Ma-toor.

I checked out her show with the GDSD in Cambridge, at the Middle East Upstairs.  Just so happened to be Superbowl Sunday, so Boston wasn't in a terribly elated mood, but they still rocked it.  Definitely looking forward for them to come back to Boston with Xiu Xiu.  Thao is also hilarious, and so is the rest of the band for that matter.  Look out for that fire!

Bag of Hammers (mp3)

Beginning of Blog

This is the Beginning of the blog.

I think in order to start it off, let's do a great spread.